A fabulous red dress for those who want to stand out in the crowd! Fitted waistband with drape pockets, to give a sumptuous look…

Saori, Julia, Jenny, Misato and Masako share fabric development
I’m working with the People Tree design team on the Autumn/Winter 2011 collection – Looking at craft skills, hand knitted pieces and tribal hints on new silhouettes – and we’re revisiting the producers traditional skills, hand weaves, block prints and embroideries too. The team asked me a few questions about the meetings and I thought i’d share them with you.
How will People Tree start to interpret the themes for its collection?
We’re thinking craft meets couture –practical, wearable clothes that flatter the body with innocent embroidery like cross stitch and braiding.
What sorts of colour pallet can we expect to see for AW11? Some surprise new colours, a gorgeous green and lots of funky highlights.
What’s your favourite idea that you and the team have discussed so far?
A new piece inspired by a block print dress I made at a fair trade group years back – white silk with a beautiful screen print.
Are there any themes that People Tree can’t do and why would that be? We don’t do synthetic fabrics. We don’t do fast fashion – ours is slow. We love craft skills.

Jenny our buyer loves vintage

Traditional embroideries - so inspiring

A rummage through the sample boxes and vintage pieces inspire

Working on the colours for Autumn/Winter 2011 with Tracy Mulligan and Masako Ueda and the design team

Veranda of my guest house in Aghaijara, Bangladesh – where you can watch the water hyacinth float down the river and enjoy a cup of tea - it's better than a 5 star spa!

Working in the shelter of my mosquito net
Many suppliers/garment factories put up their customers in 5 star hotels as part of their hospitality, but People Tree pays to stay with our Fair Trade groups in their guest houses. After all it’s real cost for food, housekeeping, cleaning, etc. Why should suppliers pay for their customers hospitality?
Executively dressed?
I’ve been surprised by how people dress when they visit culturally sensitive places – I’m writing in shorts and a camisole at home in the summer’s heat, but in Bangladesh you cover up however hot and humid it is. I wear a shalwar kameez and long thin legged trousers called churidar. When it’s 36 degrees and 80% humidity you have to put your foot in a plastic bag just to get them on.
Here’s how…

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My Mum loves crafts – and my grandmother was an embroidery designer before she ran a home for delinquent boys – I guess that’s were my love for crafts started.
Prokritee is part of MCC, the Mennonite Central Committee and has worked to support the world’s poorest people for over 40 years.
I started working with these groups 19 years ago and together with the brilliant designer Suraiya Choudhury we brought natural dyes to Bagda Enterprises, that now work making body scrub mits for the Body Shop. We’ve also worked closely with craft groups to design literally thousands of products using traditional skills and natural fibres for Japan and UK.
My third assignment in Bangladesh is to document the amazing craft skills and interview artisans to show the impact on their lives. So I travelled with my photographer friend Miki Alcalde and Kate Wakeling by van, ferry, rickshaw then on foot into Agailjhara, Borisal to do just that.
Natural fibres can be used to make so many crafts. Chopstick holders and bangles and a dragonfly made of recycled newspaper – I’m just mad about crafts and the social change it brings!